It also natively took in MFX clips as we were able to drop them right in and start cutting away. Vegas is extremely unique in this regard as it can natively accept what seems like anything and it’s very easy to do so. Vegas can accept 4K files, which is impressive. RED ONE support does exist, but trying to view the files in full 4K ended up crashing the program.ĭo not be confused, nothing can at this point. Sony has also added six new lighting effects to the already impressive line up of filters and FX. Among them are glint, rays, defocus, starburst, soft contrast and fill light. For everyone across the board, these effects can be useful. Fill Light replicated inserting a giant Rifa light in front of a subject perfectly. And Glint offers a great professional touch to still, video and titles. We also really got a kick out of the Rays effect. #SONY VEGAS 9 OVERVIEW PLUS#ĭefinitely a plus for wedding videographers. There are also a couple new impressive transitions of which, the Gradient Wipe section had to be our favorite. Including a few transitions that looked like splattered paint blotches, smoke escaping and floral growth. Vegas beginnings are as an audio-only editor, so we knew that this time around the audio options would be pretty extensive.

#SONY VEGAS 9 OVERVIEW FULL#įull support for including a 5.1 surround sound track to projects. Vegas provides impressive audio-waveform drawing when recording and we found that due to how easy it was to work with the audio individually, it enhanced our abilities to sync together video and audio, creating a much faster workflow.

The Mixing Console view is new to Vegas which is great addition for sound engineers and those with a background in music since it’s a very familiar application. Customization to all audio tracks is offered in three separate locations: per clips, per track and the master output.

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